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produces is not the same as knowledge, information, or data. Rather, generative thinking produces a sense of what knowledge, information, and data mean. The generative thinking that preceded community policing made sense of information already in hand by reframing the problem that the information depicted. Data on rising crime did not dictate either conventional crime-fighting or community policing; people making sense of the data did that. The process of problem-framing or sense-making is subjective. The same information could have inspired different conceptions of the problem. In fact, even as community policing grew popular, one police commissioner redefined the problem by arguing that his police department lacked the information needed to spot incipient crime waves and the data needed to hold officers accountable for their performance. He framed the problem as a managerial one.The result was a new management process driven by information technology (Dewan, 2004). Proponents of community policing and police management used the same data but made different sense of it. And the sense they produced led to different strategies. It is precisely because sensemaking is so subjective and involves so many choices that it is so powerful and, ultimately, so necessary to governing. The paradigm shifts show sense-making at an epic, highstakes scale. But sense-making shapes organizations in more prosaic, though still important, ways. Everyone can recall moments when their sense of things at work changed profoundly. They remark: When you put it that way, it does make sense or When I look at it that way, I do see things in a different light. What they tend to overlook is how things get put a different way, a process that involves three steps:

SmartArt Graphics Charts (except Microsoft Graph charts) Custom Slide Layouts Drop Shadows Equations Heading and body fonts New effects: 2-D or 3-D WordArt text Gradient outlines for shapes or text Strikethrough and double-strikethrough Gradient, picture, and texture lls on text Soft edges, re ections, some types of shadows Most 3-D effects Themes Theme colors Theme effects Theme fonts

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In his book Restless Nation, James Jasper observes it s no accident that most immigrants, when they can choose their new home, select America. They picked this country because of its promise, he writes. They dreamed the dream. That vision of America as a land of possibility may be the most inspiring The clothes you wear quality of the new immigrants, and are a form of communithe most powerful lesson they impart. cation. Clothing starts Immigrant entrepreneurs are people your conversation when unsatis ed with the status quo; peoyou walk into a room. ple dreaming of doing something new, different, and better than before. Their Designer Jeffrey Kimathi ideas range from modest to bold to world-changing. Typically, they are rolled into a larger dream. Know immigrants, and you will know what it s like to dream again. In a small shop in Harlem, amidst sewing machines, clothing designs, hangers, and boxes, 33-year-old Jeffrey Kimathi describes himself as an Afropolitan, an African of the world. He s a proud

As with any other transition there are a number of concerns and objections that may reasonably be raised when considering cloud computing. A full exploration of this section could easily ll a book of its own. A detailed discussion is most de nitely outside the scope of this section, but we will provide brief summaries of each potential concern.

The TRIM command is used to cut offan object or a series ofobjects at their intersection with a boundary or cutting edge. While you have already used TRIM on individual objects, you can also use it on multiple objects.

Bernard Ebbers, former CEO Scott D. Sullivan, former CFO David Myers, former controller Buford Yates, former Acctg. director Betty Vinson, executive Troy Norman, executive

Internet Explorer s Programs Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 Folder Options File Types Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

If you pass the cursor over the hatch, you see the annotative icon. When you move the cursor over the dimensions and the multileader, you see that they are also annotative. This is because they were created using annotative styles.

or, in matrix notation, Q = F + EG = F + E(IC)-lD. (14.11)

3D Animation (Timeline)

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